| 1 |
Dystopia and Binary Bondage in Detroit: Become Human |
Arnab Chatterjee |
1–20 |
PDF |
| 2 |
Blurring Boundaries: Labor, Leisure, and Cultural Production in Digital Vlogging |
Mahira E. & Dr. Ubaid V. P. C. |
21–39 |
PDF |
| 3 |
Linguistic Margins and Digital Colonialism: Western Pahadi Languages in Himachal Pradesh |
Dr. Anil Kumar Swadeshi |
40–54 |
PDF |
| 4 |
Nano Banana, Ghibli, and Beyond: Framing Seasonal Digital Phenomena in Online News Media |
Dr. Anto P. Cheerotha |
56–72 |
PDF |
| 5 |
Deconstructing the Mythic Imaginary: Malayalam Cinema’s Folkloric Revival as Cultural Resistance and Epistemological Intervention |
Ameya Mary Yovakim, Christy Merin Kochitty & Dr. Neethu Mary Tomy |
74–87 |
PDF |
| 6 |
The Programmed Paradox: Female Cyborgs, Postcolonial Intersectionality, and the Politics of Gender in Indian Science Fiction Cinema |
Kunal Kumar Khatri |
92–105 |
PDF |
| 7 |
Performances of Precarity: The Digital Archive as a Counter-Memory of Vulnerability |
Dr. Garret Raja Immanuel S. |
106–117 |
PDF |
| 8 |
Immersion, Interactivity and Affect: The Mixed Media Horror of Horang’s Nightmare |
Nimi A. S. |
118–131 |
PDF |
| 9 |
The “Podcast” as a Living Literary Archive: Reimagining Preservation, Access, and Interpretation in the Digital Age |
Punnya Kalliyat |
134–147 |
PDF |
| 10 |
Spectacle and Simulacra: Consumerism in Don DeLillo’s White Noise through the Lens of Jean Baudrillard |
Siddarth B. Mahajan |
150–165 |
PDF |
| 11 |
Resistance, Subjectivity and Destigmatisation of Postpartum Depression: Maternal Counter-narratives in the Digital Sphere |
Jyothy S. S. |
166–178 |
PDF |
| 12 |
Feminism and the Post-apocalyptic Imagination: Interrogating Gender Dynamics in Aliya Whiteley’s The Beauty |
Shipra Kaushal |
180–187 |
PDF |
| 13 |
Posthumanism and Player Agency in Detroit: Become Human and NieR: Automata |
Dr. Lakshmi Menon |
190–203 |
PDF |
| 14 |
Photoetry and Food Poetry: A Critical Analysis with Special Reference to the Anthology Kitchen Poems |
Susan Jacob |
204–211 |
PDF |
| 15 |
Noise as Archive: Disruption Across Analogue and Digital Culture |
Arunima Suresh |
212–231 |
PDF |
| 16 |
From Curry to Clickbait: Food Porn, Gastronomic Exotica, and the Postcolonial Politics of Taste in Digital Media |
Silpa S |
234–251 |
PDF |
| 17 |
Rewriting the Tragic: Classical Storytelling Structures and Moral Complexity in Interactive Narratives |
Elika Mary Raji |
252–267 |
PDF |
| 18 |
Solar Faith and Synthetic Hearts: Analog Desire in Ishiguro’s Digital Future in Klara and the Sun |
Ruma Khatun |
269–279 |
PDF |
| 19 |
Cryonics, Posthuman Subjectivities and Postanimality in “Hypnojen” |
Atif Abdullah & Dr. Sharmistha Chatterjee |
282–294 |
PDF |
| 20 |
I Post, Therefore I Am: Exploration of Motherhood through a Posthumanist Perspective |
Alpana |
296–308 |
PDF |
| 21 |
Spectacle and the Feed: Memetics and Media Parasitism |
Anitta Jose & Dr. Manjusha K. G. |
310–321 |
PDF |
| 22 |
The Game, Player and the Psyche: A Ludological Perspective on Gamification in Ready Player One |
Dr. Gayathri S. |
323–334 |
PDF |
| 23 |
Reimagining Biblical Narratives: A Reading of Selected Stories from the Bible and Episodes from The Chosen |
Dr. Nithya Mariam John |
336–343 |
PDF |
| 24 |
The Beauty Project: Cosmetic Culture and Its Representation on Instagram |
Priyanka Panwar |
344–358 |
PDF |
| 25 |
The Vintage Escape: Gen Z, AI, and the Search for Authenticity |
Resmi Anie Mathew |
360–376 |
PDF |
| 26 |
Hyperreality and Tourism in Goa: A Postmodern Analysis |
Daisy Mazel Coelho |
378–394 |
PDF |
| 27 |
From the Watchtower to the Digital Panopticon: Erosion of Privacy and Predictive Analysis in Dave Eggers’ The Circle |
Alitta Antony |
396–406 |
PDF |
| 28 |
Measured Accessibility: Durga Puja between Digital Memory and Analog Presence in Bengal |
Sruti Bhaumik |
407–415 |
PDF |
| 29 |
Regulating Life and Living Otherwise: Posthumanistic Biopolitics in Harvest and The Ministry of Utmost Happiness |
Sharika PV |
416–430 |
PDF |
| 30 |
Eroticism and the Visuality of Intimacy in the Age of AI |
Dr. Arunlal. K & Dr. Sunitha Srinivas. C |
431–439 |
PDF |